It was through the. The Regent is from Canada, the name Regent was a Canadian label for GUYATONE. Vintage 1960’s Sekova Bison Electric Guitar Below: As you can see, we got our walls painted the other day, hope you like it! Anyway, on the left is an AWESOME Kawai Bass. This baby looks, feels, plays like no other Bass from its time. REALLY well made, big and heavy (the picture scale looks small but this is bigger than a Fender Precision).

1. Airline Acoustic Guitar Value
2. Vintage Airline Acoustic Guitar

Valuing it would be hard without seeing it, but if you could range it. Loved your pictures and in-site above. I do believe it is a 1966, my best guess. I have (and cherish) a1957 Fender Duo-Sonic, that was “willed” to me by a very dear friend who passed on a few years ago. I’ve been aquainted with this guitat since 1965. The 3/4 scale fits me to a “T”. I’m a short fella, as are my extremities.

• Stenciled black Hawaiian scene with orange sun on back. • Bakelite neck used 1929-1930 but discontinued due to warping & cracking (no binding). • Flat cut f-holes. 1930 Triolian specs: • Polychrome body finish changes to pea green with faint highlights. • Polychrome fingerboard finish changes to ebonized black. 1933 Triolian specs: • Rolled edge F-holes. • Square neck available special order.

From 1978 to 1982, Carter's background brought him success as a reporter on the Nashville music scene. This led to his first book, The Oak Ridge Boys: Our Story, published in 1966. From 1988 to 1992, he was a writer and researcher for Gruhn Guitars, completing Gruhn's Guide to Vintage Guitars in 1990. He then joined the Gibson Guitar Corporation as a historian and researched and wrote Gibson Guitars: One Hundred Years of an American Icon.

• Round maple neck. • 12 frets clear of the body. • Slotted peghead. • Flat fingerboard radius. • 'National Triolian' decal on peghead. • Multi-hued Polychrome tan-yellow finish with pink & purple highlights. • Opaque neck & fingerboard finish same as body.

Beyond that, all the Tricone models are collectable, with the fancier styles 2,3 and 4 (all engraved) being more collectible than the plain style 1 Tricone. Be aware that almost all Tricone models came with either a 'squareneck' or a 'roundneck' (and the necks are not interchangable). This refers to the shape of the back of the neck. Squareneck models can not be played like a standard guitar.

Harmony guitars, kennedy assasination, harmony products: Dear James, Airline was a Montgomery Ward house brand, and during the ‘60s, practically all Airline guitars. Home > Support > FAQs > Search Result: Acoustic Guitars > Serial Number Chart For Acoustic and Classical Guitars.

Aragon de Luxe. Archtop body made by Kay, spruce top, maple back and sides, bound upper F-holes, radial pattern wood coverplate with semi-rectangular holes in groups of 3, board plate tailpiece, clear pickguard, triple bound top and back, bound rosewood fingerboard, double parallelogram fingerboard inlays, rosewood peghead veneer, bound peghead, chrome plated metal parts, light brown sunburst finish. Available 1939 to 1942. Collectibility Rating: C (an archtop resonator National, very strange).

• silver resonator vintage metalbody • silver resonator vintage metalbody • silver resonator vintage metalbody • resonator vintage metalbody • resonator vintage metalbody • resonator vintage metalbody • including Triolian, Trojan, Estralita, El Trovador, Rosita, Aragon, Havana. • resonator vintage metalbody • • • • • • • • • • National Resonator Introduction. National resonator instruments made from 1928 to 1940 were louder than conventional acoustic guitars of the era.

The single cone exception is the Style O, which are usually stamped into the body by the endpin. Serial number on a 1928 Style 1 roundneck tri-cone. On roundneck Tricone models, the serial number is stamped into the body by the endpin until serial number 2400. On squareneck Tricones, the serial number is stamped into the back of the metal neck near the peghead up until serial number 2400. On all Tricones after serial number 2400, the number is stamped at the top of the peghead. Note most of the serial numbers provided are from actual instruments.

Medium are too heavy for most beginners. I still use light gauge strings after 47 years. I recommend getting Elixir Nanoweb light gauge strings and I also recommend that you get a teacher. • Tell us some more • Upload in Progress • Upload failed. Please upload a file larger than 100x100 pixels • We are experiencing some problems, please try again. • You can only upload files of type PNG, JPG, or JPEG.

Style 35 squareneck tricone where the enameled air brushing has worn off. On the back you can just barely see the 'Lute player' sandblasting, and the remains of the enameled air brushed color. Chrysanthemum engraving, diamond shaped fingerboard inlays, some with ebony peghead veneer and pearl logo, some with celluloid peghead veneer and engraved logo. Clear pickguard added 1936.

They just look and feel new, especially the necks. • Truss Rods: New Nationals all have adjustable truss rods. I know, this is technically good; the original models had either no truss rod, or a non-adjustable truss rod. But I'm sorry, seeing a truss rod on new Nationals just isn't right (call me a purist). • 14 Frets Clear: You can't buy a new National metal body resonator model with 14 frets clear of the body.

Serial Number Plates 1940-1964. Beginning in 1940, National/Valco serial numbers were on a small oblong metal plate (brass or aluminum). This plate was tacked to the back of the neck with two small brass nails. The following serial numbers apply to all Valco-made National instruments, including lapsteels and guitars. These plates were also put on amplifiers. All Valco-made instruments were numbered this way till 1964.

Number range Year ------------- ---- 0100 0209 1929 (yellow) 1P 2266P 1930-1934, 12 fret Polychrome Triolians. 2267P 2500P 1934, 14 fret Polychrome Triolians. Walnut Sunburst Triolians 1930-1934. Number range Year ------------- ---- 1W 1800W 1930 1801W 2550W 1931 2551W 3200W 1932 3201W 3350W 1933, 1934 C-series Green/Gray Duolians 1931-1935. Number range Year ------------- ---- C1 C6000 1931, 1932 C6001 C7250 1933 C7251 C9700 1934, 1935 E-series Duolians (1934 only). Number range Year ------------- ---- E7200 E7899 1934 No prefix Duolians 1935-1936.

It's hard to believe that it sounds really good for plywood. I can't believe I just said that.

Airline Acoustic Guitar Value

Here's a link to a pic of what the guitar looks like but with the 'airline' logo on the head. It is also of course a different color and such but the head is pointed just like on this one. Funny, it's usually the top string that breaks first. I bet when you say 'bottom string' you're referring to the top (thinnest) string. That's actually called the top string since it's the highest frequency. The first strings you list are for classical guitars and you have a steel string guitar. You can't use nylon strings on a steel string guitar.

They are only usable for Hawaiian or Country styles. Hence the roundneck Tricones are more versatile instruments. Squareneck tricone models are still sought by some Hawaiian-style players.

Number range Year ------------ ---- O500 O1750 1931 K prefix El Trovador wood body (1933 only). Number range Year ------------ ---- K300 K555 1933 T prefix Trojan wood body 1934-1937. Number range Year ------------ ---- T100 T2999 1934-1936 T3000 1937 Z prefix, other wood body Nationals 1934-1936. Number range Year ------------ ---- Z100 Z2050 1934,1935 Z2051 1936 Serial Numbers, 1936 to 1941 (Chicago series). From 1936 to 1942, a single series is used for all instruments with different prefix letters.

Private vintage guitar collector. Pictures, history for National resonator vintage guitars. 1928 National Tricone style 1 squareneck Introduction and Serial Numbers: • (the different resonator systems and how they work and sound) • • • • • • (including National, Valco, Supro instruments) • • Silver resonator metalbody, round and squareneck vintage models. Includes the Style 1, 1 1/2,2, 2 1/2, 3, 4, 35, 97 nickel plated models, and the style M-3 painted tricones. • silver resonator vintage metalbody • silver resonator vintage metalbody • silver resonator vintage metalbody • resonator vintage metalbody • resonator vintage metalbody • resonator vintage metalbody • including Triolian, Trojan, Estralita, El Trovador, Rosita, Aragon, Havana.

As mentioned above, vintage National resonators aren't for everyone. Vintage Nationals are peculiar, and you have to know what to look for. NEW National resonators have become very popular. They have adjustable necks and sound great. One of the best sounding new National is the 'polychrome' tricones. With a steel body and three resonators, these are great guitars.

• Resonator cover with four embossed radiating lines added. • Square mahogany neck available. • Back scene has one palm tree. Late 1934 Style O specs: • 14 frets clear of the smaller body. • 10 inch fingerboard radius. • Diamond shape resonator cover cutouts shaped like 'crow feet' (though the 1933 style cover plate is also used till 1936).

This makes the neck feel significantly different than vintage Nationals with extremely thin lacquer finishes. Also the reissues have a flatter neck profile, unlike the 'baseball bat' vintage neck profiles and 'V' neck profiles. • Body Finish: National today can not recreate the original 'Frosted Duco' vintage National Duolian finish. This finish style formula was patented in the 1930's, and has apparently been lost.

Clear pickguard added 1936. Available 1928-1940. Collectibility Rating: Squareneck: C, Roundneck: A. Style 35: Known as the 'Lute Player' model. Brass body with nickel plating, back sand blasted etching of Renaissance musician under willow tree, palm trees sand blasted on front and sides, airbrushed enamel coloring over sand blasting, maple neck, bound ebonoid fingerboard on squareneck model, bound rosewood fingerboard on roundneck model, dot fingerboard inlays, solid peghead. Enamel coloring discontinued 1939.

Also the 1932 to 1932 vintage Style N is right up there too (essentially the same guitar but with a 12 fret neck). Of course this is the real world, and money and rarity DO matter.

We have an airline archtop acoustic guitar that we were told was a 1964 but we cannot find record of any 1964's being sold. On the inside it has a serial number of L1508 and in other parts it says P-5 and N-5 were not sure if this tells us the year and if so I cannot find any airlines matching that serial. We have an airline archtop acoustic guitar that we were told was a 1964 but we cannot find record of any 1964's being sold. On the inside it has a serial number of L1508 and in other parts it says P-5 and N-5 were not sure if this tells us the year and if so I cannot find any airlines matching that serial number.

Collectibility Rating: Squareneck: C-, Roundneck: B- (a brass body makes for a lower rating). Introduced in 1937, this plain nickel plated brass body model has a square neck (Hawaiian). By 1942 the body is no long nickel plated but is instead painted with a oak looking wood grain finish. Discontinued by 1943.

The tuner's are little sloppy. I will be taking it to Hoffman's to get an another opinions. The guys down there have always been honest with me. I know that it will not be worth very much no matter what I do to it. But I like the sound of it, it's a different style to what I have in my Seagull MJ SWS. It will be something that I can take to a campfire and not have to worry about it.

Next to that is a nice Silvertone Mosrite with slider controls. You can see the inspiration for the in many of these guitars. Interesting because it as an indiviual slider volume for each pickup, so you can dial in an unlimited variety of tones. A 1965 Hofner Galaxie. An early 1960’s Vivona which was made by EKO, and a wee Hi-Tone.

With that in mind, nothing can beat the a vintage 1929 to 1940 Duolian. At $500 to $1500 (depending on condition, originality and playability), not much can beat these. I personally like the 1934 to 1935 vintage Duolians with 14 fret necks and open pegheads. But vintage Nationals aren't for everyone. You have to be careful when buying one, especially the low-cost Duolians. Warped necks and bad neck sets are common, and expensive to repair. A warped neck on a Duolian will require the fingerboard to be removed, the neck straightened, a truss rod installed, the fingerboard re-attached, a fret job, and the neck re-set.

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• 'Piano' body finish, simulating rosewood grain. 1937 Triolian specs: • Rosewood or 'Red bean' fingerboard. 1938 Triolian specs: • Pickguard added. Sometimes black, sometimes wood grain with diagonal stripes. Triolian catalog discontinued 1938.

• Stenciled black Hawaiian scene with orange sun on back. • Bakelite neck used 1929-1930 but discontinued due to warping & cracking (no binding). • Flat cut f-holes.

All these National models will have the post-war National/Valco metal serial number plate and are considered 'Nationals' (not Gibsons). Timeline of Pre-WWII resonator Nationals. Years Available, Model Description • 1927-1942 (all styles, round and square neck) • 1928-1938 • 1928-1942 (all models) • 1928-1942 • 1930-1941 • 1930-1932 • 1930-1938 • 1934-1936 • 1939-1941 Dating Nationals. Vintage National Tenor Guitars: though these 4 string tenor guitars are pretty to look at, they are fairly useless as instruments today. Tenors were marketed during the late 1920s and 1930s to get banjo players to convert to (the increasingly popular) guitar.

By 1929, this model converted to a metal body instrument. The very first wood body Triolians had a tricone resonator system. Less than 10 of these examples were produced. Contoh soal bahasa inggris. Much like the metal body version, the wood body Triolian has a single cone resonator, round shoulder, upper F-holes, bound single layer fingerboard, dot fingerboard inlays, 12 frets clear of the body. Collectibility Rating: Roundneck: D (the earliest single cone, but not too many collectors want wood body Nationals). Maple veneer body probably made by Harmony, lyre-shaped holes in upper body, trapeze tailpiece, bound top and back, 14 frets clear of the body, ebonized fingerboard, dot fingerboard inlays, slotted peghead, 2-tone mahogany finish, round or square neck.

National made two types of resonator instruments: tricone and single cone models. Tricone instruments have a very sweet and warm tone.

In 1943 the remaining stock holders of National-Dobro were bought out by Vic Smith, Al Frost, and Louis Dopyera, who formed the Valco Manufacturing Corporation (Valco is an acronym for Vic, Al, and Louis). When the War ended, Valco re-vested itself into the musical instrument industry and built instruments and amplifiers throughout the 40s, 50s and most of the 1960s. At the same time WW2 brought a similar fate to Gibson's factory, where as much as 90% of that company's production went toward the war-effort.

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For collectors, dealers and players, this completely updated 'field guide' provides specifications, serial numbers, and more for determining the originality of vintage American acoustic and electric fretted instruments. Detailing thousands of models by every major manufacturer, the book now includes expanded coverage of Martin, Guild, Mosrite, Dobro, Gibson banjos, Fender amps, Gibson amps, plus updates on the latest models from Fender, Gibson, Rickenbacker, and others since 1990.

The pearloid-and-abalone fingerboard inlay used on the Glenwoods is what Valco called its 'butterfly pearl' pattern. The 'standard' pickups on these models have a midrangey throaty sound, well-suited to slide playing. The models with a built-into-the-bridge pickup, have a bluesier, twangy sound with more treble. This bridge pickup is close to a Fender sound, but without the sustain. Buying a Vintage National Resophonic. Lots of people ask for advice when buying a vintage National resonator. So here's how I see these models, and what I would buy.

This 100% original round neck M-3 guitar may be the only one ever made. Note the oak colored painted woodgrain body. 1940 National Style O with paddle headstock Collectibility Rating: Squareneck: D-, Roundneck: C (a very common model and a brass body make for a lower rating). Single cone resonator, nickel plated body with sand blasted Hawaiian scene on back and palm trees on front and solid area on sides, round shoulder, upper F-holes, round neck, dot inlay fingerboard, bound ebony fingerboard. There were 6 different variations in the sand blasted Hawaiian scene, and 8 total Style O variations if you include body changes.

1933 Duolian specs: • Rolled edge F-holes. • Square neck available special order. Late 1934 Duolian specs: • 14 frets clear of the smaller body. • Basswood neck replaces mahogany.

I don't recall if even the fanciest versions got much north of there. (Even if they did, I wouldn't have paid much attention, since that would've been way more than my allowance and lawn mowing money would allow.) Still, those are 50-year-old dollars we're talking about, and we haven't seen photos yet.

Vintage Airline Acoustic Guitar

Wee guitar, HUGE head. Great canoe paddle. Vintage 1960’s Espana Viola Electric Guitar Below: A beautiful Ampeg AMUB-1 Fretless Bass. Has been making some excellent re-issue versions of this in and versions. Next, a MINT 60’s Airline Barney Kessel featuring the very cool “Kleenex Box” pickups, another current. Next is NOT a Univox, but a RAVEN.

I personally like the 1934 to 1935 vintage Duolians with 14 fret necks and open pegheads. But vintage Nationals aren't for everyone. You have to be careful when buying one, especially the low-cost Duolians. Warped necks and bad neck sets are common, and expensive to repair. A warped neck on a Duolian will require the fingerboard to be removed, the neck straightened, a truss rod installed, the fingerboard re-attached, a fret job, and the neck re-set. An easy $500 or more repair. New National Resophonic Reissue Models.

Collectibility Rating: Roundneck: B (a german silver body makes for a higher rating, even though this model is plainer than a Style O). National's highest quality single cone resonator, German silver body with nickel plating and no etching or sand blasting, round shoulder, upper F-holes, pearloid peghead veneer with engraved National logo, mahagony round neck, dot inlay fingerboard, bound ebony fingerboard, 12 frets clear of the body, slotted peghead. Replaced in 1934 by the 14 fret Don model. 1934-1936 Don Style 1.